Paeonios of Mende
Pagot, François Narcisse
Palladio, Andrea
Palustre, Léon
Paolo Romano
Pape, Simon de
Papworth, George
Papworth, John
Papworth, John Woody
Papworth. Wyatt Angelicus van Sandau
Paris, Pierre Adrien
Parler, Peter
Pasti, Matted de'
Pastorini, Pastorino
Patryngton, Robert
Patte, Pierre
Paulus
Pausanias
Paxton, Sir Joseph
Pedro de Coma
Pellevoisin, Guillaume
Pennethorne, Sir James
Pennethorne, John
Percier, Charles
Perrault, Claude
Perréal Jean
Perronet, Jean Rodolphe
Peruzzi, Baldassare
Peter of Colechurch
Petit, François
Petrus de Maria
Peyre, Antoine François
Peyre, Antoine Marie
Peyre, Marie Joseph
Phidias
Philon
Pietrasanta, Giacoma da
Pigalle, Jean Baptista
Pilon, Germain
Pinturicchio, Bernardo
Pippi, Giulio
Pippi d'Antonio da Firenze
Piranesi, Giovanni Baptista
Pison
Plinius Caecilius Secundus, Caius
Plinius Secundus, Caius
Poerlaert, Joseph
Polyclitus
Polyclitus the Younger
Polygnotus
Ponce, Jacquio
Poncet, Jean
Poncet, Pons
Pontelli, Baccio
Pontifs, Guillaume
Poor, Richard
Pöppelmann, Matthäus Daniel
Portigiani Pagno di Lapo
Post, Pieter
Pozzo, Andrea
Prieur, Barthélemy
Primaticcio, Francesco
Procopius of Caesarea
Prout, Samuel
Pudsey, Hugh
Puget, Pierre
Pugin, Augustus
Pugin, Augustus Northmore Welby
Puvis de Chavannes, Pierre
Pythius
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"wildly influential" or really only virtually influential?
2008.08.26 15:40
I don't buy the notion of Woods cultivating a self-critical vision for architecture because the real result/influence of his work is an aesthetic (pioneered more by Morphosis and Cooper Union of the early 1980s, Mad Max and Blade Runner) that does not necessarily reflect the nature of our time. Moreover, I don't buy the notion that a self-critical vision for architecture cannot or does not occur while designing and/or building buildings.
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