19 December
direction
1997.12.19
99121901.db Arcadia Pavilion, plan, model, perspectives, axonometrics
99121902.db Salmon's kitchen, plan development
99121903.db Wallraf-Richartz Museum, perspective
Re: conspectii
2000.12.19
Re: Education: Philosophy & Architecture
2000.12.19
Re: CAD DATA
2001.12.19 12:44
2001.12.19 13:14
ideas
publications
2001.12.19
ideas
2002.12.19
Architecture as Fashion/Fashion as Architecture
2004.12.19 11:21
Re: moved
2004.12.19 18:23
041219a.db Romaphilia; selected landmarks; Parkway, Vatican, Bustum Hadriani; Independence Mall; etc.
Leaving Obscurity Behind
2004.12.19
quote du jour
2005.12.19 11:08
2005.12.19 11:36
2005.12.19 12:20
Investigation of Arch. thru Film
2005.12.19 12:12
archicture books for high school student
2005.12.19 14:39
NOX is not that bad...
2005.12.19 19:48
...now
2007.12.19
Durand plans
Q and IQ
2008.12.19
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Re: conspectii
2000.12.19
I particularly like the lacunae. You know, the bits that are there implicitly, but not explicitly.
Re: Education: Philosophy & Architecture
2000.12.19
Paul said:
Given the privilege of working with a talented student, one of the first charges of the studio master is to subtly, tactfully (we hope) dissuade the creative person from the egocentric notion that what matters is solely the artist's self-satisfaction. That's why (Steve) we critics are such disagreeable guys. We always want the rationale, the reason why. Here the philosopher meets the artist.
Steve adds:
Whenever I encounter a talented critic, I do my best to demonstrate that the critic's self-satisfation is likewise not what solely matters. Here the balloon meets the prick.
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