1997 Dossier Reenactment | 970825 story of my own incentive combined with the reenactment theories of Collingwood; Piranesi's "reenactment," his "redrawing" of history 970830 Collingwood texts 970907 the reenactment idea, in this case the virtual enactment of design construction 970907 the Triumphal Way, especially the reenactments during the Middle Ages and the Renaissance 971003 explains the often reenacted ritual; "witnessing" yet another reenactment of the Triumphal Way 971022 my reenactment of drawing the Campo Marzio 971026 Stirling's deliberate reenactment of Schinkel's design 971113 not a reconstruction, but an historical reenactment; a powerful reenactment of the architectural history of the Campo Marzio; with the notion of reenactment, the notion of ritual; Piranesi's role in the reenactment; the opening stage for the reenactment is the Scenographia; a reenactment of the Forma Urbis; a virtual reenactment of discovering the missing piece of the "puzzle" 971223 reenact the original and now destroyed mural 971223 learning of the reenactment theory within the philosophy of history; brought my reenactment to a full fruition; Piranesi himself was performing a reenactment; "Modern man though regarding himself as the result of Universal History does not feel obliged to know the whole of it, the man of the archaic societies is not only obliged to remember mythological history but also to reenact a large part of it periodically;" perhaps even "reenact") all the steps along my journey; the documentation will also be a reenactment 971224 reenact the Museum of Architecture for Venice 971226 the reenactment theme first with Piranesi as triumpator; the Ichnographia as one more Triumphal procession in the long history of the Roman reenactment; a reenactment vs. reconstruction theory; the reenactment-redrawing process 971228 do the life and death axes of the Campo Marzio reenact the cardo & decumanus? Piranesi reenacts the history of the city |
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