Éléments et Théorie de l'Architecture
There is a historical aspect to Kahn's concern for composition. Composition of elements was a preoccupation of the Beaux-Arts academic tradition at the turn of the century. Julien Guadet, the respected professor at the Ecole des Beaux-Arts, wrote about it, and his famous pupil, Tony Garnier, may have set in motion forces and attitudes which, no matter how well disguised by subsequent events in architecture, may still be with us. This may explain the association which Kahn is supposed to have with the Beaux-Arts academic tradition. However, it was Auguste Choisy, a contemporary as well as an ideological antagonist of Guadet, who influenced Kahn more--not by his words and ideas (Kahn did not read French and was not a "reader" in the scholarly sense) but by the magnificent illustrations in his book Histoire de l'Architecture, which Kahn treasured.
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