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Each segment of the Wall House 2 manipulation in animation clearly demonstrates how portions of the original plan were moved, stretched, and rotated, thus revealing the virtuality (i.e., potential) of the original house plan. It is as if latent space within the original have been released by a ichnographic elasticity that perhaps only exists within the cyberspace of CAD.

John Hejduk, Wall House 2 (Bye House), 1972-74 (project), plan of second level manipulated via successive changes performed on the plan with CAD.

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