Re: reenactment and its [un]limits
In all my writing on reenactment so far, I have never made the suggestion or issued a dictum whereby architects should design with reenactment in mind. My objective is to demonstrate how reenactment already works within many cases of design methodology.
Did deconstruction turn into blobitecture some time in the 90's?
[M]y contention with you is not whether Deconstructivism has roots in Constructivism, nor whether there was a neo-constructivism school of thought brewing in the early 1970's, rather my contention is with your sloppy historical analysis. And you really cannot discount Koolhaas's role as a leading protagonist of neo-constructivism. Plus, I now would like to know more about Zenghelis's role at the AA, and whether it was he that introduced the Constructivist aesthetic there (and to Koolhaas even).
As to Arquitectonia being second rate (which seems to be your main point), I like their early work exactly because it is derivative, where what is derived is fairly evident and the process of designing derivatively is something to learn from (rather than just denigrate). Plus, they were the first to get 'neo-constructivism' built, and built big.
12100801 Working Title Museum 002 floor/ceiling plates 2324i11 b
12100802 Working Title Museum 002 rotated cubed wireframe & opaque Palace of Ottopia plan 2324i12 b
14100801 Palais Savoye models plans orthagonal working data 2411i07 b
14100801 Maxwan IFC | International Financial Centre Moscow
16100801 Villa à Garches model work 2151i06
16100802 Villa à Garches model work rescaled 2151i07
16100803 Villa à Garches elevation Maison Dom-ino Legacy models 2151i08
19100801 iq35 Cubist ICM 2436i75
19100802 Hagia Sophia plan section 207gi02
19100803 Hadrian's Villa @ iq38 museum collecting 206ki14
19100804 Stonehenge Hadrian's Villa Hagia Sophia Château de Chambord Louvre plans elevation section museum collecting 2061i15
19100805 Louvre plan sections working data 207hi02
19100806 Louvre plan 207hi03
2011.10.03: When I look at the early graphics of Arquitectonica, I'm immediately reminded of Zenghelis and Koolhaas, hence, it appears the real inspiration came from the (new) architecture of Delirious New York, which isn't exactly a book pitching Deconstruction.
2014: And when I look at the more recent plans of Gigantis/Zenghelis, I'm reminded of the plans of Oscar Niemeyer.
2007: I have this vague idea of how to generate virtual architecture via Quondam, and it has to do with "creating" buildings that relate to the letters and notes. It's sort of a mnemonic devise, but also a form of design inspiration as if the various texts were the programs of the buildings. I have no idea of how this approach would be implemented, but I see it as a means to create an environment where all the material connects together.
Part of this idea is also to just start using Quondam as an art/experiment project (as opposed to the archive that it now is). Plus I want the cad graphics to become completely integrated.
2014: Who knows?