a deliberate deterritorialization

9 April

2014.04.09 21:47

The idea of this system was developed in 1637 in two writings by Descartes. In part two of his Discourse on Method Descartes introduces the new idea of specifying the position of a point or object on a surface, using two intersecting axes as measuring guides. In La Géométrie, he further explores the above-mentioned concepts. --wikipedia So let me rephrase...

The xyz coordinate system is not necessarily the same thing as Cartesian rationalism.

The work, La Géométrie, was responsible for introducing the Cartesian coordinate system, which is a mathematical graph in which x is the horizontal line and y is the vertical line, and in which the positive numbers on the x line are on the right and the negative numbers on the left, and the positive numbers on the y line are on the top and the negative numbers are on the bottom, and specifically discussed the representation of points of a plane, via real numbers; and the representation of curves, via equations. --Wikipedia

So the system was not so much a rational cage, rather a method to represent curves?!

My kitchen floor inspired me today to begin applying patterns to the mesh walls of Laguna, specifically the circle/square (Pantheon floor) pattern. I then immediately remembered the early(est?) Intergraph version of the Laguna house with the circle/square pattern on the elevation. The pattern application will take time, but the mesh also opens up all kinds of other patterning and even image (esp. line drawings) applications.
There is now also the whole inclusion of my skin/contact ideas with the Laguna redo, and now I have a bunch of "hypermural and beyond" ideas to include as well -- (another great chapter for OTHERWISE EYES--mesh in the Altes Museum porch, etc.
You know, for me (like for most architects), architecture has always been a sort of tourist site.
No, extinction means extinction, as in eventually not there anymore.
And, one could well say that Stirling practiced architectural design as an ongoing development of architecture's very historical DNA code.
Perhaps the environment and users now-a-days evolve a lot quicker than building ever could.
It seems to me that the more specifically designed a building is (and even buildings specifically designed to change over time), the quicker those building become obsolete.
The interior of the simple loft building can be just as easily changed.
I forget where, but I read how the Theater of Marcellus has been renovated into multi-story apartments like over a thousand years ago.
Obsolete-ness is gauged by time endurance. I'd say any building that lasts over several centuries has a low obsolete factor. And buildings that last less than a half century have a high obsolete factor. (Planned obsolescence is a whole other (artificial) story.)
Also, the obsolescence of a building's function does not necessarily make the building itself also obsolete (as a sheltering structure). That is, of course, unless the building is designed only for a highly specific function. Moreover, buildings with great space(s) and structure(s) to begin with usually last longer too.
I think Vanbrugh is my first favorite English architect (although I'm just now learning of Latrobe's English work). [And while I was reading The Domestic Architecture of Benjamin Henry Latrobe back in 2007, I did not yet know that an image of Latrobe's watercolor of Ury House with even a schematic reconstruction of the house section was there as "unidentified house" within the close to last pages.]
S,M,L,XL is indeed a kind of "browsable" book that predates the internet in its breadth, and, for me at least, has stimulated publishing via the internet.
As far as I'm concerned, the internet makes "creating a fixed/fluid, massive, all-encapsulating text" even more possible. to clarify, when I wrote...
It may be well worth noting that the publication of S,M,L,XL closely coincides with the dawn of the easily-browsable/easily-publishable hypersized Internet. Ends and beginnings are both extreme situations
...it was in response to:
I don't think there's been a book [since S,M,L,XL] with such broad influence since. What do you think?
...meaning that, since S,M,L,XL, it's from the Internet that broad influence now emanates.




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