Ludwig Mies van der Rohe

Courthouse with Garage


14122601   site plan 1100x550 NNTC   cad1412j

14122502   Tugendhat House Courthouse with Garage Farnsworth House plans @ Pennypack   cad1412i

14120101   collection of domestic elevations @ 3398   cad1412a

14101603   model elevation   cad1410b

1110701   plans contemporary architecture   3296

07092201   axonometrics perspectives  

07092103   model  

07092102   scale comparisons   0047
07091201   plans scale comparisons   0045

14122601   1100x550   2160i00

Courthouse Plus Ultra   2399

And in Aalto's Woflsburg Cultural Center the rectangular configuration of the whole composition is barely maintained as he organizes the necessary diagonal shapes of the auditorium.
This is different from Kahn's Goldenberg House project where the exceptional diagonal is in part an element of the structural pattern and partially spatial, to make a series of spaces that go around the corners of the building continuously, rather than one side overlapping the other.
Mies allows nothing to get in the way of the consistency of his order, of the point, line, and plane of his always complete pavilions. If Wright camouflages his circumstantial exceptions, Mies excludes them: less is more. Since 1940 Mies has not used a circumstantial diagonal, and in his series of courthouse projects of the 1930s, the diagonal is a function of the free plan rather than a condition of the circumstantial. Because the diagonal is dominant rather than exceptional and loosely contained within its rectalinear frame, there is little tension between the diagonals and the rectangles. The diagonal chords of the trusses in Mies' large-span buildings are, of course, not circumstantial exceptions.
In the Villa Savoye., again, the exceptional diagonal of the ramp is clearly expedient in section and elevation and allows Le Corbusier to create a strong opposition to the regular order of column bays and envelope.
--Robert Venturi, Complexity and Contraction in Architecture (New York: The Museum of Modern Art, 1966), pp.57-8.

It should be noted, however, that the dominant diagonal of Mies' Court-house of 1936 is indeed a garage, and this positioning of the garage allows for an easier backing of a car into the garage.

Domestic or QE: Domestic
...collect domestic Mies material... ...become an expert on his house plans and the "collage" perspectivism.

I want to write...
Distort the courthouse with garage model. Mix up the Ichnographia plans.




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