The Plays of Nicholas Breakspear

23 September

2013.09.23 09:37

"I certainly have my uncharted territories."
...and I felt very fortunate to begin reading the third book "Joseph in Egypt" while on my first trip to LA, September 1982--there was an uncanny commonality between both 'events'. Was Eutropia at Trier on 23 September 326? Is that when she (metabolically) gave orders for the destruction of the Imperial palace there to then create the enormous twin basilica in its place?
"Perhaps Constantine should have mentioned that I didn't send the letter about Mamre from Mamre. Perhaps Constantine knew he was 'oaking' at the expense of modern doubters."

Yelling loudly, the 35-year-old woman attacked "Office Baroque," a cutout section of wall by American artist Gordon Matta-Clark, doing a series of head-over-heels flips before landing on the work in a handstand, punching both her arms through the drywall... She then ran across the large room, pushing over a section of a spray-painted truck called "Graffiti Truck," also by Matta-Clark, bending back the metal roof.

"There is an artist that devised a machine that 'reenacts' the human digestive system, which ultimately produces turds."

At the very end of the video interview of Peter Eisenman in conjunction with the latest Venice Biennale, the architect makes reference to "Kafka's Magic Mountain," as in hopefully the architect's project of a City of Culture at Santiago de Compostela will find a happy artistic commonality with Kafka's Magic Mountain. Maybe Eisenman is knowledgeable of some manuscript that Kafka himself destroyed (as Kafka did destroy some of his own manuscripts), but otherwise it was Thomas Mann that wrote The Magic Mountain.

"Yes, let's hear it for [some] contemporary architecture and [it's knowledge of] culture!"

Take a look at Le Corbusier's Palais des Congrès à Strasbourg (1964), and then look at OMA's Hotel at Agadir, the Library at Jussieu, the Educatorium, and then MVRDV's VPRO--a trail of design reenactments. Maas worked on the OMA projects. Right now it looks like the novel begins at the Hotel of the Palais des Congrès. All the architects are registered there for the "Turning the Labyrinth Inside-Out" conference. None of them is confident, however, that the 'Buildings Present Themselves' portion will proceed without a variety of embarassing technical glitches.

"His last word to me (sixteen years ago today) was "battery."

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three two one zero




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