6. a reverse reenactment of the promenade architecturale "buildings".
As a "three dimensional network", Jussieu does indeed greatly elaborate the 'tectonic plates' of the Palais des Congrès, however, the Corbusian promenade architecturale paradigm of sequential ascent through 'forest', profane base, inside/outside box, and ultimately to luminous heights, which the Palais manifests, does not readily translate at Jussieu.
perhaps not OTHERWISE EYES, but promenade architecturale
...believe it would be wiser to take a single topic and develop it to the fullest. The topic I'm thinking of starting with is the "promenade architecturale." The following is an initial outline to proceed with working on the "promenade architecturale" documentation:
1. collect all notes on the subject.
2. collect all web pages on the subject (Not There, letters to India).
3. collect all the CAD graphics and models relative to the subject (Monzie, Savoye, Strasbourg, Danteum, Cologne, Altes Museum, Düsseldorf(?)).
4. collect all material on the Campo Marzio triumphal way.
5. review Plattus' text on the Roman Triumph.
6. working title: from triumphal way to promenade architecturale?.
7. the triumphal way formula nicely matches the promenade architecturale formula.
8. web searches on The Divine Comedy.
9. construct the Altes Museum rotunda, construct the Campo Marzio triumphal way in 3D.
...several further ideas/areas of research to pursue:
1. excerpts from Livy and Plutarch on Romulus.
2. web search Nero and his triumph (in Suetonius).
3. search Eusebius for Constantine's triumph October 29, 312.
4. my triumphal arch as triumph over gravity idea.
5. is Bernini's Scala Regia a transition from triumphal way to promenade architecturale?
6. might there be something in The City of God Against the Pagans that relates to a triumphal way or an ascending promenade?
7. the "Rape of the Sabines" as a prelude?
8. end with the triumphal way of Diana and thereby end with the notion of reenactment.
9. title: Quondam Eventualities: Triumphs, Promenades and Reënactments.
Language & Voice
Perhaps the 'missing' verbs in 'architectural language' are the actions that go on in architectures. For example, the narrative of the Danteum manifests itself as one proceeds through the building. This is to suggest that promenade or circulation through a design (is one of the elements that) provides the link between architectural subject and architectural object.
Language & Voice
A "perceptually effective sequence" is something that an architect can intentionally design. Le Corbusier did it at the Villa Savoye, which is "understandable" without referencing any literary source. Le Corbusier also did it within the Palais des Congrès (1964), Terragni did it within the Danteum (1938), and James Stirling did it within the Museum for Nordrhein-Westfalen (1975) and within the Wallraf-Richartz Museum (1975). Sadly, none of these building designs was ever executed, hence they are not prominent examples within architectural history. It was precisely because of the sequences within these designs however, that prompted me to create computer models of these buildings (in the early 1990s). I also wrote several articles and essay on the promenade architecturale which were published at www.quondam.com. My point now is that had these buildings been built, just maybe there might now be a far better understanding (and hence better teaching) of just how effective a deliberately designed architectural sequence can be.
Granted, any architect designed "preferred route" can be misunderstood or even ignored by a building's user, but that shouldn't prevent architects from at least trying to add "architectural language" to how a building is moved through.
What I find most interesting about designing architectural sequence is that the sequence itself is not actual form, rather the gaps between actual forms. For me, it's another example of learning from lacunae.
2. the promenade architecturale documentation because of the reenactment element that permeates the entire "history".
Information Architects Talking About Architects and Architecture
Presently, I like to design delivery of content in the enfilade slash labyrinth style.
Perhaps, someday, I'll design some delivery of content following the architecturale promenade formula.
Actually, I've been struggling with a big design/renovation brief, the solution to which has been eluding me for well over a month now. Alas, today, while just stepping out of the shower, it finally dawned on me--delivery of content in the enfilade slash labyrinth style via bilocation.
Is subtext actually text bilocated?