5 August

1754 death of James Gibbs

1997.08.05     Campo Marzio index
e2566 e2567 e2682 e2767 e2776 e2899 e3078

architectural promenade
1997.08.05     206gc 2120c 2156 2165 2226 e2589 e2660 e2707 e2736 e2878 e2899 e3003 e3037 e3044 e3064 e3078 3122z 3123e

Quondam
2000.08.05

Brideshead Revisited
2005.08.05 13:00     e2501a e2524 e2702 e2744 e2746 e310a
2005.08.05 15:17     e2785a e2788

Will Your Work Be Remembered?
2005.08.05 14:36     e2557a e2759c e2828 e2886a e2909c e2917b e3044b 3727e 5010 5027

Quondam's Fifteenth Anniversary
2011.08.05 18:19     3155e 3732b 3749t 3771d

Art History
2013.08.05 09:23     3749x 4500t
2013.08.05 21:12     3749x 4500t

LACMA releases new renderings of proposed Peter Zumthor building
2016.08.05 20:59     3314k


Dominican Motherhouse of the Sisters of St. Catherine de Ricci   4114



2000.08.05
Quondam
I forgot to mention the spline line rotational extrusions, and that's because I'm not sure how to fit them into some sort of narrative. I could simply describe the creation process in terms of "new dexterity" and/or I can situate them somewhere in Ichnographia Quondam. There is also something "virtually infinite" about the creation process that I could elaborate upon.

2011.08.05 18:19
Quondam's Fifteenth Anniversary
Oh, and what do you suppose the difference is between Culture and Random Tangents? Could it possibly be that one is actually inferior to the other? Now that I think about it though, culture today is nothing but random tangents.


2013.08.05 09:23
Art History
When dealing with history, creativity often involves (or even starts with) making the non-obvious choices.


2013.08.05 21:12
Art History
I like art history because I like learning new things. If anything, art history is an ongoing lesson in exactly creativity, a way to sharpen the cutting edge, even.

13080501 Acadia National Park Headquarters Building building site model


14080501 inverted Acropolis Q at Ury Farm plan
14080502 Acropolis Q at Ury Farm study model



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