1864 death of Leo von Klenze
irony and feeling
I like the second to last paragraph of Holl's "Phenomena and Idea":
"Easily grasped images are the signature of today's culture of consumer architecture. Subtle experiences of perception as well as intellectual intensity are overshadowed by familiarity. A resistance to commercialism and repetition is not only necessary, it is essential to a culture of architecture."
I like this paragraph because it exposes a significant part of the soft underbelly of what might, for convenience's sake, be called architecture's ongoing 'classism'. The 'racism' of Western architecture has already rendered substantial irreparable damage, i.e., first via colonialism, and then via the International Style, and now architecture 'classism', which Holl provides a glimpse of so succinctly, is practiced as well as highly sanctioned. If it hasn't already happened, I think it's time someone started writing an 'equal-rights amendment' for architecture.
irony and feeling
the couch is on ebay again
02012601 City Hall Redux, model
Re: WTC Recycled Steel
Again, where is that study on 'architecture that moves' when you need?
Did anyone complain when pieces of the Berlin Wall were up for sale as souvenirs? Concrete is real cheap though, isn't it?
Schumpeter called capitalism "creative destruction," however "destructive creation" seems more apt (today at least).
The (chronosomatically forthcoming) liver is the most metabolic organ of our bodies.
To err is ummm eh Human?
Rem Koolhaas announces "Fundamentals" to be 2014's Venice Biennale theme
Perhaps underlying the theme is a wave of de-territorialization and re-territorialization that hasn't been registered yet.
I'd say a de-territorialized critic is even more dangerous.
Not so much outside, rather, more beyond inside. Very much in the territory, but not within the normal restraints of the territory.
If you're in the fourth dimension, does that mean you can have your cake and eat it too?
Sam Lubell examines the U.S.'s trouble keeping top design talent
When exactly hasn't it been "a suum cuique (to each his own) style of American Architecture"?
Aaron Betsky To Lead Taliesin West
Quo vadis, Charleston architecture?
15012601 Bldg 9591g @ GAUA 1100x550
15012602 Bldg 9591h @ GAUA 1100x550
15012603 Bldg 9591i @ GAUA 1100x550
15012604 Bldg 9591j @ GAUA 1100x550
15012605 Bldg 9591k @ GAUA 1100x550
15012606 Bldg 9591l @ GAUA 1100x550
15012607 Bldg 9591m @ GAUA 1100x550
15012608 Bldg 9591n @ GAUA 1100x550
15012609 Bldg 9591o @ GAUA 1100x550
15012610 Bldg 9591p @ GAUA 1100x550
Rem Koolhaas has stated: "Fundamentals will be a Biennale about architecture, not architects. After several Biennales dedicated to the celebration of the contemporary, Fundamentals will focus on histories – on the inevitable elements of all architecture used by any architect, anywhere, anytime (the door, the floor, the ceiling etc.) and on the evolution of national architectures in the last 100 years. In three complementary manifestations – taking place in the Central Pavilion, the Arsenale, and the National Pavilions – this retrospective will generate a fresh understanding of the richness of architecture's fundamental repertoire, apparently so exhausted today.
In 1914, it made sense to talk about a "Chinese" architecture, a "Swiss" architecture, an "Indian" architecture. One hundred years later, under the influence of wars, diverse political regimes, different states of development, national and international architectural movements, individual talents, friendships, random personal trajectories and technological developments, architectures that were once specific and local have become interchangeable and global. National identity has seemingly been sacrificed to modernity. ..."
And not Koolhaas:
I'm trying to come to grips with the notion of why European colonials didn't simply accept the architectures that were indigenous to the lands that they (the Europeans) colonized. I see this as a negative action because I think a case can be made that many of this planets indigenous architectures are now virtually extinct because of Western colonialism/imperialism. During the first half of the 20th century, while large parts of the world were still colonies of Europe, Western modern architecture or the International Style (again a term used more for convenience) continued the global domination of Western style and furthered the extinction of indigenous architectures.
As much as I like Classical Greek and Roman architecture and Modern architecture, I nonetheless see it as a tremendous lose to architecture in general that these styles are now so global at what seems to be the expense of so many other architectures.
...may indeed be right about there being a lack in architectural history when it comes to explaining shifts from style to style (and this interests me greatly), but I'm not convinced so far that evolutionary theory (which ever one that may be) is the best(?) way to explain shifts from style to style.
Up until (more or less) the "International Style", architectures where very much linked to geography/locale and the politics(/religion) that comes with geography. Of course, European colonialism can be seen as an "internationalization" (or is it "globalization"?) of European/Western architecture precursing the "International Style," as well as the beginning of the eradication of many indigenous architectural styles throughout the world. Is this history best explained as evolutionary? Is the shift from Mayan architecture to Baroque architecture in Mexico, for example, something evolutionary? Not exactly survival of the fittest; more like survival of the one's with the guns and the greed, and, oh yes, the holy mission to spread the Christian faith.
Personally, I sometimes wonder whether Mayan architecture may have sometime/somehow played an influencing/inspiring role in terms of (particularly) Spanish Renaissance and Baroque architecture.
I agree that there is a kind of hegemony operating within architecture today (and definitely since the Modern Movement/International Style), but architecture wasn't always that way. Most of architectures' histories are like languages' histories in that they were all tied/related to specific places on the planet and reflected the culture of those places.
Reflecting on what presently constitutes architectural "history," perhaps architecture is now a world trade commodity more than anything else.
Is the next big thing to mix up the fashion brands? Wear your Foster pants with Woods belt over Eisenman panties?
Check out 1914.
And regarding architecture's "Fundamentals," compare and contrast Hamlin's Forms & Functions of 20th Century Architecture, volume 1 (1952). Chapters:
1. The Elements of Building: Introduction
2. The Use Elements of Building: Rooms for Public Use
3. The Use Elements of Building: Rooms for Private Use
4. The Use Elements of Building: Service Areas
5. The Use Elements of Building: Horizontal Circulation
6. The Use Elements of Building: Vertical Circulation
7. Mechanical Equipment
8. The Use Elements of Structure: Bearing Walls
9. The Use Elements of Structure: Non-Bearing Walls
10. The Use Elements of Structure: Doors and Doorways
11. The Use Elements of Structure: Windows
12. The Use Elements of Structure: Columns and Piers
13. The Use Elements of Structure: Beams, Girders, Ceilings, and Floors
14. Arches and Vaults I: Arches
15. Arches and Vaults II: Vaults
16. Roofs, Gutters, and Flashing
17. The Site in Relation to Building
18. Gardens and Buildings
19. Elements of the Modern Interior
I'm interested to see if and/or how 'Ornament' will be present[ed] in 2014.