2007

Quondam

Le Composites  

1  




Chandigarh Capitol Complex   2175
Governor's Palace   2177
Church at Firminy-Vert   2189
Palais des Congrès   2198
Hotels at the Palais des Congrès   2199
Museum of Knowledge   2185
Tower of Showdows   2186
House of Shadows Bye   2366


dossier: collage architecture   3228f

2007.07.17
appositional play
...starting some CAD apposition play... ...started to compile plans of Le Corbusier designs in the collection.

2008.09.02 07:25
Theory needed: contextualism/transparency
Palais des Abuse Ridiculous -- Palais House 10: Museum
Cut & Paste Museum
ichnographia non-virtual non-context -- 010926a.db
3 black holes in the Michelin Misguide
atemporarily under deconstruction -- Le Composites
virtue2vicegrip machine to live in -- Bye House morph animation

2008.11.13
appositional architecture
On 2002.02.03 I wrote a note regarding "appositional art" and also the notion of wqc/appositions, but concluded with not being sure what appositional architecture is. It now seems that I do know what appositional architecture is, and I've been doing it via the "recombinant architectures" and IQ and even the first two Houses for Otto, House of Ill-Repute 001, Le Composites, Cut & Paste Museum. I can at least begin to collect/list all the examples at Quondam of "appositional Architecture" and outline a display of the work. Begin also by making a CAD database collection of the various plans.
There seems to be a thin line between appositional (architecture) and superimpositional (architecture), yet the 3-dimensional nature of architecture actually can simultaneously accommodate apposition and superimposition. For example, the HQ of DATA is appositional in elevation and superimpositional in plan. (...which now reminds me that there are no hline elevations of HQ of DATA.) I like this interesting double aspect that architecture can facilitate (and I wonder if this could be part of "Surgical Double Theater"--yes).
Actually "Going into Eclectic Shock" was/is going to be about my recombinant architectures, so either it all somehow comes together or it begins to interfere, or contradict. [2009.04.07: eclectic shock could deal with mixing/recombining architectures from different eras into new wholes.] Is appositional architecture and superimpositional architecture somehow going to be the overriding aspect/motif of AinCC?
Anyway, look at/collect the appositional letters/arguments and further develop them.

2012.09.30 16:51
I too have been following...
Kazys, I too have been following the latest 'designs' featured at Archive of Affinities, and I'm somewhat reminded of some of the 'designs' that came out of Quondam between 1999 and 2008. Seeing as you see the designs from Archive of Affinities as 'atemporality at work', I'm curious what you might think of the (not all too dissimilar) designs at Quondam.
Go and check out the following: Ur-Ottopia House, Ludi 002, Good-Bye House, Mikveh PMP, Dominican Fortress, Mosque Q, House of Shadows Bye, Gooding Trice House, Le Composites, Cut & Paste Museum, Headquarters of D.A.T.A., Villa Plus Ultra, Courthouse Plus Ultra.
With a few exceptions, the buildings are 're-combined' at the same scale, and offer an 'other' (fictional?) rendition of architectural history. If nothing else, I'd like to have a better focus of what it is exactly that these building designs might represent--postmodernity or perhaps atemporality.

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