The Philadelphia School, deterritorialized


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Venturi wins the Rome Prize Fellowship...

2004.12.17 12:15
postpostmodernism (arrgh)
A serious study of what buildings were under construction in 1950s Rome while Venturi was at the American Academy (e.g., Luigi Moretti's apartments on the Via Parioli) will add much to an understanding of the early genesis of 'postmodernism' as a distinct design methodology.

2005.10.12 09:19
Jimmy Venturi's new website...
Funny how A View from the Campidoglio is rarely, if ever, remembered. Taken literally (which happens to be the title of the painting that Venturi asked about), the view from the Campidoglio is indeed the Campo Marzio.
The 8 August anniversary date of Venturi's first arrival at Rome got me thinking. I opened my 1977 Italian study tour journal and it begins:
"August 8, 1977
Fully packed for Rome. Luggage weighs 33 lbs; I weigh 172 lbs. Leaving for New York with $107.00"
We arrived at Rome late 11 August.

2005.10.12 12:12
Jimmy Venturi's new website...
...the whole notion of "being allowed" is what makes me think "how pedantic." Who do you think "allowed" the post-World War II Italian architects "to look to the past for guidance and inspiration" and hence whose built designs influenced the young, pre-C&C Venturi? Likewise, who "allowed" the architects of Las Vegas that V,SB&I learned from?

2006.03.29 18:25
I realize that flatness is not the "opposition notion" that you are looking for. I just wanted to provide historical context to your question(s).
(I'm kind of just guessing, but) Venturi may too have seen "that a characteristic of modern architecture, is a move away from depth" and thus worked to exploit that very aspect in his designs. Venturi may too have been inspired by the contemporary architecture being built in Rome while he was at the American Academy in the early 1950s.
One could also say that Kahn earlier introduced "depth" via volumetric geometrics and the "cut-outs" thereof, which, for a while, influenced Venturi and later Matta-Clark.

2015.06.19 10:33
Are diagrams in architecture bullshit and ditto for process?
"The Duck and the Decorated Shed" came within a year or two after the completed construction of Guild House (1961-66), coinciding with the marriage of Robert Venturi and Denise Scott Brown--23 July 1967.
Before Guild House there is George Howe's Maurice Speiser House (1933) and Louis Kahn's Congregation Ahavath Israel (1935-37) (Venturi's immediate Philadelphia architecture legacy) and Moretti's Casa "Il Girasole (1947-50) (effect of Venturi's study in Rome 1954-56).



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