23 June

1495 Il Cronaca was made capomaestro of the Duomo, Florence

1795 death of James Craig

Encyclopedia Ichnographica
1998.06.23     e2500 5398f

research as design-talk?
1999.06.23 09:21     3810

new books
2000.06.23     3728c 3755 3794 3810b 5300e

Re: genetic architecture
2002.06.23 13:01     2141 3786e 5001

2002.06.23     2348 3778

tallest buildings
2003.06.23 16:52     3775g

original content
2005.06.23 11:22     3705k 3749h 3765d 3770k

original question
2005.06.23 12:38     3765d 3810b

Anti-Starchitecture Chic
2007.06.23 11:19     3335o
2007.06.23 11:33     3335o 3749l 3770p 3775l
2007.06.23 12:56     3335o 3747i 3749l 3770p 3773g

23 June - Hejduk/Gehry
2013.06.23 12:11     3303p 3713i

23 June
2016.06.23 10:58     3314i

OMA embarks on first Boston commission with 88 Seaport mixed-use building
2017.06.23 10:15     3315i

Via Appia/Las Vegas Strip at the same scale
2017.06.23 13:48     3315i   5917l

Herzog & de Meuron   Meret Oppenheim Tower   Basel

1999.06.23 09:21
research as design-talk?
The notions of research vs. method and a theory/practice dichotomy sounds very similar to a thread that transpired here sometime within the last six months:
The debate was whether "the tools we use determines the way we think" OR "the way we think determines the way we use tools."
I espoused the latter, and I am struck by the similarity of the latter to what G. said: "What you think determines what you do and how you do it. In short, ideas really do matter." The point I wish to make now is that I have lately come to believe that BOTH of the above approaches are intertwined and perhaps even co-dependent, hence signifying a duality instead of a dichotomy.
As to design-talk, maybe there will always be two sides to ever story, or, more exactly, two opposite sides of roughly equal measure and a third slim marginal side that is circular and perpendicular to both of the others.

2002.06.23 13:01
Re: genetic architecture
John Young wrote:
Don't miss a chance to sharpen your design skills by exploring, spelunking, a dangerous work of architecture on the verge of collapse...(and then went on to more or less specify the fate of the WTC as code compliant hazard).
Steve remembers:
Going to Stotesbury Mansion (really named Whitemarsh Hall) in the early-mid 1970s was very much "exploring, spelunking, a dangerous work of architecture on the verge of collapse." Maybe my design skills got some sharpening there.
Here's a few images of Stotesbury very much the way I remember it--it was a sort of personal quest for me to at least get into every room of the place, thus many visits--only went into one of its three basements, however; rumor had it that the bottom two basements were flooded out. The art treasures of the Metropolitan Museum of Art were stored here during World War II.

2003.06.23 16:52
tallest buildings
...I only presented those "world's tallest building" record holders that made a significant 'leap' in height beyond a previous record holder. There is a distinct pattern of heights going from 500' to 1000' to 1500', and I (again) wonder if 2000' will ever be achieved.
The world's tallest building record holders in order are:
Great Pyramid at Giza
tower of Beauvais Catherdral (collapsed)
Great Pyramid at Giza (again) or
possibly the second Pyramid at Giza
Washington Monument
Eiffel Tower
Chrysler Building
Empire State Building
World Trade Center Towers (collapsed)
Sears Tower
Petronis Towers

2005.06.23 11:22
original content
I think original content scares people. I think it especially scares people that want to be original themselves. For example, originality in design makes other designers feel inadequate, although mimesis is guaranteed to follow. There is also the guarantee that some will immediately steal the original content and then quickly try to somehow pass it off as their own.

2007.06.23 11:33
Anti-Starchitecture Chic
There is a lot of structural and spatial and design innovation going on that makes 'signature buildings' more than only a commercial backdrop. Many 'signature buildings' actually make significant contributions to architectural history. Perhaps a more real issue it that the distinction betweeen hype and history is completely ignored to the point where the hype is what becomes a much distorted history.

2007.06.23 12:56
Anti-Starchitecture Chic
So, within the 'star system' who then are the "stars" and what form-buildings got the press? As large as the realm of architecture is, it's still a finite set, so we can actually be specific rather that general. Gehry, Koolhaas, Eisenman, Hadid--are these at least on the list of 'who is a starchitect'?
How buildings get press is what should be much more studied. For example, having "Guggenheim" attached to any building design will get lots of press because the Guggenheim already has a whole staff department devoted to generating press, besides the fact that the major mission of the institution itself is to exhibit. Ironically, the "Virtual Guggenheim" by Asymptote was pretty much literally just press.
If starchitects are really just pseudo celebrities, is that then already a sign of just how relative starchitect status is?
Is "a style" really such a bad thing? I actually see a lot of diversity from architect to architect, and even with a specific architect's oeuvre there is often diversity at least via nuance, if not actually just plain diversity. I thus question the full validity of "same bag of (increasingly superficial) formal tricks."
One could also argue that there is now-a-days a whole lot more critical architectural criticism going on, but it all right away falls into various camps--New Urbanism, Bilbao effect, anti-starchitect, etc.(?)
Most people I know know absolute nothing about architectural style. I'd go so far as to say that even most architects don't know all that is really going on design-wise now-a-days.
"Lesser known architects follow the public's new tastes."--that sounds very subjective to me.
"Architecture" loses yet another battle." --Is an imaginary battle really a battle? Can an imaginary battle really be lost?
I'll leave it at that, but I think the second set of points of regarding Archigram and backlash casts much too large a net, with big holes. Somewhat insular itself even.
parting shot:
Architects can well design buildings, put I don't think they'll ever be able to design clients.

15062301 NNTC12 plans   2329i07 3403i12
15062302 NNTC13 plans   3403i13
15062303 Mies van der Rohe architecture plans   3748gi04
15062304 Louis I. Kahn architecture plans   3748gi05

16062301 GAUA S24 IQ24 block inverted opaque  
16062302 GAUA S24 IQ24 Cubist ICM infill   2429i209
16062303 GAUA S25 IQ24 block inverted opaque  
16062304 GAUA S25 IQ24 Cubist ICM infill   2429i210
16062305 Roma Interrotta sector VI Tempietto Museum for Nordrhein Westfalen enlarged Pantheon Paradigm IQ15 plans images attached   243bi13

16062301   Herzog & de Meuron   Meret Oppenheim Tower   Basel

17062301 Gericke House Hubbe House Glass House Maison Curutchet Casa de Vidro Unité d'Habitation De Vore House Fisher House Milam House Dominican Motherhouse elevations   2167i01
17062302 Via Appia Las Vegas Strip images plans   3315ii03

18062301 Tempietto plan model San Pietro Montorio plan Museum for Nordrhein Westfalen plan   207ai02
18062302 Tempietto Museum for Nordrhein Westfalen model   207ai03

19062301 Maison de Verre plans section elevation layered apart   2164i02
19062302 Villa Mairea plans elevations section layered apart   216bi02
19062303 Unité d'Habitation plans sections layered apart   217qi05
19062304 Palace of Assembly plans section elevation layered apart   2176i03
19062305 Maison ŕ Bordeaux plans sections elevations layered apart   2291i04

21062301   iiq06 Philadelphia Mikveh Israel Synagogue Wallraf-Richartz Museum Battery Park City Ulm Stadhaus Exhibition & Assembly Building Weishaupt Forum Barcelona Museum of Contemporary Art Walt Disney Concert Hall Netherlands Architecture Institute New Not There City World Trade Center Market Street East Development M4NRWF@Franklin Court Salustiani/Hadriani Mall Franklin Square Redux plans   2093i121




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